[the palaverist]

Monday, August 10, 2009

[more on japanese vs. korean coolness]

I was going to follow up on an earlier post about Korean vs. Japanese coolness, and wondering whether anyone in Korea would ever be doing something like this:



Yes, it's awful. But it's also cool in a way that I didn't think Korean culture would quite grasp: the cool of the avant garde.

So I went fishing on the Interwebs to see if I could find an equivalent, and lo and behold, I discovered Balloon & Needle, a Korean artists collective that does things like this:



For some reason, this gives me hope.

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Wednesday, December 06, 2006

[hermit kingdoms]

In a New Yorker article on Burma, John Lanchester notes that "Burma ... has long been preoccupied with isolation, and the desire to be cut off from the world recurs in its history."

But Burma is not alone in one sense: it is hardly the only nation in the world that has sought to isolate itself from all outside intrusion. Korea was long known as the Hermit Kingdom, and North Korea maintains that tradition to this day. Bhutan is less militantly cloistered, but it strictly limits its contacts with the rest of the world. For many centuries, Tibet and Nepal held themselves aloof, as did a number of the kingdoms of Central Asia, and not only from Europeans, though from Europeans more intently than with close neighbors.

Indeed, dotted across Asia, from Japan and Korea to the landlocked mountain fastnesses of Afghanistan, were forbidden kingdoms. I have studied Asian history more closely than some other regions, but I wonder whether Asia is uniquely rich in hermit states. Certainly the territories of Persia and Rome, whatever the ruling state may have been at the time, have not lent themselves to such isolation. Nor has the easily traversed European peninsula, with its superabundant coastline and its many rivers flowing to every sea. About other parts of the world, I'm less certain. But I do wonder whether there is anything in common among the hermit states beyond geographical potential.

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Wednesday, November 29, 2006

[the spirit of clumping]

Katamari Damacy is a surreal Japanese video game whose name means "the spirit of clumping," or more simply, "clump spirit." The goal of the game and the mode of play are fairly simple but different from anything else I've ever played: you roll a ball (the katamari) around various environments, picking up all kinds of objects as you go — paper clips, people, elephants, chopsticks. As you collect objects, the katamari grows, allowing you to pick up ever bigger items. (You can see what this actually looks like here.) The game is presided over by a king whose speaking voice is record scratching and who either praises your success or shoots lasers out of his eyes when you fail. (He also has great legs and a psychedelic cylindrical pillow permanently lodged behind his head.)

What makes the game so compelling is the elaborate, creative, surreal universe in which you operate — not to mention its zany, sometimes dark humor — and part of that effect is achieved by the music, which consists of thoroughly loopy J-pop and a pair pieces for full orchestra, recorded with appropriate theatrical bombast.

I wish I could tell you who the artists are, but I can't find that information anywhere. Still, you can buy the soundtrack at YesAsia.com.

01. Introduction
02. Katamari on the Rocks
03. Overture II
04. Katamari on the Swing
05. Kurukuru Rock
06. Everlasting Love
07. Tsuyogari Katamari
08. Beautiful Star
09. Heaven's Rain
10. Houston
11. Blue Orb
12. Katamari Holiday
13. Baby Universe
14. Disco x Prince
15. Killing Hot Savannah
16. The Royal Academy of Katamari
17. King of Kings' Song
18. Untitled

Thanks to DKNY for the link, and for introducing me to the game.

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Previous Posts

[things i'd like to write about but haven't]
[drop the red lantern]
[how not to apply for a job]
[pop is the new alternative]
[what does it all mean?]
[national fears]
[lies, damn lies, and sound effects]
[our pakistan moment?]
[how to fail like an olympian]
[cold winters]

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